A light hearted play based on the Alexandre Dumas’ classic
full of swash-buckling, sword fighting, romancing Musketeers and shadowy,
cowardly villains that definitely cheers up a gloomy January. A sparse stage is
used creatively to create the impression of shifting scenes with a few
suggestive props and lighting. I especially liked the use of the back wall as a
map of all the venues which lit up to indicate the location of the next scene
to avoid confusing the King of France's Palace with Cardinal Richelieu's house.
After a slow start which had just a hint of panto, the show
started to pick up pace once d’Artagnan (competently played as a naïve but
earnest young man by Darko Baric) and his sister arrive in Paris and make the
acquaintance of the infamous Three Musketeers. Porthos (Warwick Manning), Athos
(Ian Belcher) and Aramis (Kevin Copping) were well portrayed with a believable
camaraderie. Cardinal Richelieu's (Richard Tripp) understated and menacing performance
worked well to balance the comic buffoonery of the King whom he plotted to
control by removing the influence of the Queen. The ensemble scenes were
particularly enjoyable beginning with a tavern scene in the first act where the
Musketeers retire after fighting the Cardinal's men to unwind. Little groups
positioned around the stage interacted whilst different couplings were promoted
to the audience's attention. A similar technique was used in act two to create
the atmosphere for the King's Ball. The excellently choreographed fight scenes
deserve special mention.
Throughout the performance there were moments of
conspiratorial humour with the audience, some light and quick, others quite
blatant but no less amusing and the whole ensemble deserves praise for
enthusiastically keeping the laughs coming. A funny and unorthodox Convent
Mother Superior (played by Nanette Naude) provided laughter before the tragic
climax towards the end and a nod to one Dumas' other well-known novels
lightens the mood exactly when needed. I wouldn't recommend this show to those
people who believe uncompromisingly in the sanctity of Dumas' work but I’d
definitely recommend it to everyone with a sense of humour, especially if
you’re looking for an alternative to pantomime to combat the January blues that the
whole family can enjoy.
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